The Brahms Sonatas for Piano and Cello: Artist-Scholar Reflections on a Historical Performance Practice Project

The historical performance movement has succeeded in refreshing and diversifying industry-wide practices of music from the 18th century and earlier, despite the challenge of often limited source material. Late 19th-century performance practice scholarship faces the opposite problem: an overwhelming abundance of sources, providing uncomfortably direct evidence of a playing style that not only jars with […]