Writings
Publications
2025
“Classical musicianship versus classical editing: the case of Friedrich Grützmacher”
Nineteenth-Century Music Review, special issue ed. Marten Noorduin and Annelies Andries (Cambridge University Press).
2024
Robert Schumann, Cello Concerto Op. 129
ed. Kate Bennett Wadsworth.
(Bärenreiter)
2024
Robert Schumann, Cello Concerto Op. 129
arr. for cello and string quartet by Kate Bennett Wadsworth.
(Bärenreiter)
2024
“The Flexible Text: Official and Unofficial Versions of the Schumann Cello Concerto in the 19th Century”
Performing by the Book? Artist-Researchers’ Negotiations Between Text and Act (Orpheus Institute Series, Leuven University Press).
2023
“Dactyls and Fire-spirits: Carl Reinecke’s written publications as a guide to his piano rolls”
Early Sound Recordings: Research and Practice, ed. Eva Moreda Rodríguez and Inja Stanović (Routledge).
2015
“Brahms and the Cello”
in Clive Brown, Neal Peres da Costa and Kate Bennett Wadsworth, Performing Practice in Johannes Brahms’ Chamber Music (Bärenreiter).
2015
Johannes Brahms, Cello Sonata Op. 38
ed. Clive Brown, Neal Peres da Costa and Kate Bennett Wadsworth (Bärenreiter).
2015
Johannes Brahms, Cello Sonata Op. 99
ed. Clive Brown, Neal Peres da Costa and Kate Bennett Wadsworth (Bärenreiter).
2017
‘Precisely marked in the tradition of the composer’: the performing editions of Friedrich Grützmacher
Kate Bennett Wadsworth – PhD thesis, University of Leeds.